Create a believable culture for your story.
June 27, 2009 at 11:45 am | In Writing | Leave a CommentTags: Babylonian Life and History, Culture, E. A. Wallis Budge, Gene Wolfe, Ohio, Shadow of the Torturer, Worldbuilding, Writing
How much research/worldbuilding should I do for a speculative fiction story? The question rose to my mind the first time I read Gene Wolfe’s brilliant The Shadow of the Torturer. The cultures he built for that novel are astounding. I found some of the smallest details made it seem concrete to me. We learn the denominations of coin, even the ones not accepted everywhere. They drink maté and have jobs like Torturer and Costume Shop owner. So the heart of the question is what details should I know about the culture of my setting, and on the heels of that, what details should make it into the work.
As for the second part of that, your story will be your boss, but surely we can come up with some way of categorizing the details we need to know. With this in mind I theorized that the most believable cultures were ones that we know existed. I urge you to go pick up a book at the library or your local bookstore on actual cultures, the weirder the better – Babylonian, Egyptian, Ohio. I grabbed a book, E. A. Wallis Budge’s Babylonian Life and History. In a chapter called The King and His People I found facts that I decided to play Jeopardy with. When I read the fact I formulated a question that I could use on any culture, real or imagined.
Babylonian Life and History
Here is my list:
1. What powers does the King (or ruler or government) have?
2. What classes are the people divided into? Babylonians had Aristocracy (Amelum), Serf (Mushkin) and Slave (Wardum). What classes are responsible for what civic duties? Who fights in war time? etc.
3. What are the roles of men in the family? Women? What are each’s roles in Marriage? Divorce?
4. What do people do to try to ensure children? Which gender is more prized? What happens to unwanted children? What ceremonies and public registries do children make necessary when born? What level of education do children of each caste receive and what is included in that education?
5. At what age could children get married? How were marriages arranged? Dowry? What was ceremony like? Monogamous? Concubines? What celebrations surrounded the marriage? Under what circumstances could they divorce? Polygamy? Polyandry? How does the culture handle childlessness? Adultery? Abandonment?
6. What kind of houses? Furniture? What are vessels for cooking made of? Where did they keep their clothes? What did they wear, if anything, and how did the dress change by caste? What color are their outer garments? How often did they change clothes? What did they wear on high days or holy days?
7. How do they wear their hair/beards? Do insects affect hair (Egyptians shaved their heads and wore wigs to counter lice from the Nile)?
8. Climate affects the need for washings. Dusty? Lush? How often do they bathe? Do they use perfumes? Lotions? Unguents? Eye paint for glare? Beauty Products? How do men and women make themselves attractive? What are bathrooms like? How do they get clean? Jewelry? Incense? Candles?
I suspect that the answers to these will lead to more questions culminating in a heightened understanding of the people of your world. This is not the way. But it’s one you might try. Had I purchased a book on American Indians or the Victorians or somesuch I might have come up with some different questions, but I think these offer a good entry point to get this culture you are inventing under the microscope and start turning it this way and that.
Have fun. Feel free to post any questions that occur to you. Building believable cultures will generate the concrete details we need to add richness to our stories.
Now get to thinkin’!
Can Writing Be Taught?
June 20, 2009 at 12:26 pm | In Writing | 6 CommentsA recent blog post at I Should Be Writing caught my attention. Can writing be taught? Is it something you can learn in a class or workshop? Or is it a you-have-it-or-you-don’t kind of thing? Before you answer read this article from The New Yorker.
Personally, I say no, workshops do not teach writing.
I took 2 creative writing workshops in college, was active in Critters and co-founded the Kazoo Books Speculative Fiction Writers’ Group with John Wenger (I frequently confound them as well). I would love to go to Viable Paradise or Clarion or Odyssey someday. Why would I spend so much time on this if I didn’t think it could teach me how to write?
Writing is a personal, internal business. That’s why it is scary. Creating is so subliminal, almost magical. Personally, while writing a first draft I am considering none of the “rules of writing” in my head while I go. It’s a trance. I don’t even know how to describe what I do when I do that, much less to teach someone else how to do it. I think this is why writers are so frustrated by the constant repetition of the question “where do you get your ideas?”
If flying is controlled falling then writing is controlled dreaming and it’s meaningless to compare a good dream to a bad one in the sense of quality. When people talk of a bad dream they usually are remembering a dream that produced a strong negative emotive experience (but was it a dream good at being a bad dream, for its impact?). If you have ever been bored to tears by someone recounting to you a dream they had that was so interesting you will see what I am getting at here. The impact of the dream loses something in the translation. Especially when their interesting dream is full of non sequiturs and object or person plasticity. They cannot convey to you the feelings their dream produced in them.
This is where the workshop teaches me.
Workshops teach you how successful you have been at recreating the story you experienced in your head for your audience. You don’t learn how to write, you learn how to revise, how to rewrite, how to edit the feelings you want into the code you have typed out. It’s not so much of a “do this this way” type of teaching as a “that didn’t work, try something else” method. The Wiley Coyote method, if you will.
I have learned a lot from the critiques of my writing, but I learn most from comparing my critique of some material to the others’ critiques of the same. Rules of Writing are not passed down in this method (I don’t know that they exist) but the Principles -Leviathans swimming in the murky depths- can be glimpsed in part. Those principles you get an inkling of, you can’t describe them fully, but they go right to the subconscious and THAT can inform the things you make up when you are in the trancelike state of writing a first draft.
Do you agree? What else good are workshops?
Weird
June 19, 2009 at 1:44 pm | In Uncategorized | Leave a CommentTags: She ate, Top Searches
Just logged into WordPress to approve a comment. The Stats indicated the top search for this site recently was on “she ate.”
Bizarre huh?
Oh and She ate, she ate she ate.
Global Heat Regulator?
June 16, 2009 at 6:12 am | In Uncategorized | Leave a CommentTags: Clouds, Essay, Global, Science, Temperatures, Warming
Here’s an interesting scientific essay about a possible natural governor for Global Warming. See what you think about it.
Origins
June 15, 2009 at 10:48 am | In Movies | 2 CommentsTags: Deadpool, Origins, Wolverine, X-Men
“Back to the Beginning” has been a marketable theme in movies lately. James Bond, Batman, and Star Trek have reinvigorated their franchises by hitting the old reset button and harkening back to the origins.
So it’s not surprising that Hollywood wanted to do so for Wolverine (despite a long tradition in the comics of having his past deliberately murky.) Having recently watched X Men Origins: Wolverine, I’ll tell you what I liked and loathed about it. Warning Clause (or claws, Bub) the rest of this post is pierced with spoilers and flecked with spittle.
3 Cool things about XMOW:
1. It’s always sweet to see Wolvie in action and I loved seeing Gambit on the big screen!
2. The acting. Jackman and Schreiber’s performances have been praised, and they are great, but I also loved Frank Dukes’ delightfully dense portrayal and Wade Wilson was hysterical when they let him talk.
3. They showed the Twighlight people what diamond skin really looks like on film. Seriously, that girl’s cell mate must have passed the time by playing Bejeweled on her face!
3 things made of Fail
1. Special effects were chancy. Some stuff looked great, but Wolverines claws in Ma’n’Pa Kent’s bathroom looked like they were moving around on his hands and the scene where the refugee mutants run toward Professor X’s plane had the oldskool Land of the Lost backdroppy look.
2. I was excited to see this movie because I heard Deadpool was in it. Sadly he never showed up. Instead there was a last minute casting replacement with his understudy: Barraka from Mortal Kombat.

3. But the part that sucked like the supermassive black hole at the center of our galaxy was the stupidity of the bad guys. Seriously, I hate it when the only reason the good guys prevail is because the bad guys are morons. Stryker gives the order to wipe Wolverine’s memory within earshot. Ever hear of a post-it? When Wolvie escapes he orders Agent Zero (a mutant-exceptionally capable marksman) to go kill Wolverine, and at this point even the bit-part general from central casting speaks up on behalf of the incredulous audience- You just spent half a billion to make him indestructable! As soon as Zero is gone, Stryker pulls out his pistol that shoots Adamantium bullets and shows it to Bit-Part General. “Here is the only ammunition that can hurt him!” Come on, man!!! Why didn’t you give THAT gun to the guy who can SHOOT???? Inconveniently for everyone on his side he actually waited until Agent Zero was out of earshot to mention the pistol. Why on Kobol would he do this? Well because then the movie would be over too soon.
I have other gripes but they are not as venomous. I’ll sum them up. They confuse a wolverine with a wolf (picture a badger howling at the moon.) Also good luck making me feel any modicum of danger for Deadpool in his upcoming movie after showing me he can survive losing his head.
What other heroes depend on incompetent villains? James Bond comes to mind a la the lets leave him to the slow death without actually observing it.
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